2006-01-09
Rich soundscapes, almost like a soundtrack to a movie existing only in the composer's head, (or the listener's) populate this record. Steel guitar is out front creating most of the texture, but there are other things going on here, (check out guest list), piano, human voice here and there, percussion, etc. Definite influence is evident of having spent time in Mexico as well as having recorded this there. This will sound more familiar to fans of Lanois' earlier work than to those whose initial contact with him was Shine, from a year or so ago. This isn't the most radio friendly release, but late-nighters and those looking to end a set with something relaxed will find plenty on here. -Eric Greenthe hylozoists
la fin du monde
The Black Cats
The Famous Rockabilly Of The Black Cats
Bright Brown
Soft Landings
NEIL DIAMOND
The Bang Years 1966-1968
Shelby Lynne
Identity Crisis
The Grey Line
Afford The Sunlight
The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.