2008-02-16
Argentinean composer Fernando Otero has been actively recording for over a decade. Crossing many musical boundaries, this album features references to classical, pop and, of course, jazz. The songs range from solo compositions, such as “Preludio 19,” to a spattering of trios highlighting cello accompaniment, to a full 25-piece orchestra. Otero blends Latin rhythms with classical elements in a syncopated jump of exploration. Vague references here to the jazz style of Thelonious Monk with odd time signatures and cadences. If you’re interested in trying something a little fringe, this might be worth checking out. -- Daniel J. GraeberSOMI
If the Rains Come First
GIACOMO GATES
Luminosity
The End of Times Orchestra
Meets Eno Diamond
LUCIANA SOUZA
The New Bossa Nova
Jay Geils, Duke Robillard and Gerry Beaudoin
New Guitar Summit
ERIN BODE
Over and Over
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