2006-01-09
Rich soundscapes, almost like a soundtrack to a movie existing only in the composer's head, (or the listener's) populate this record. Steel guitar is out front creating most of the texture, but there are other things going on here, (check out guest list), piano, human voice here and there, percussion, etc. Definite influence is evident of having spent time in Mexico as well as having recorded this there. This will sound more familiar to fans of Lanois' earlier work than to those whose initial contact with him was Shine, from a year or so ago. This isn't the most radio friendly release, but late-nighters and those looking to end a set with something relaxed will find plenty on here. -Eric GreenKevin B. Klein
Good Day To Be Alive
CANASTA
The Fakeout, The Tease, and The Breather
Southern Culture on the Skids
MOJO BOX
Illum Sphere
Ghosts of Then and Now
DAVID LAST VS. MC ZULU
Musically Massive
The Plurals
An Onion Tied To My Belt
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