2007-04-16
When MCC hit the country-rock scene big time with “Down at the Twist and Shout” and the smash follow-up CD Come On, Come On, her observant lyrics analyzed the human heart with accuracy and a touch of wit. Since then, her songs have turned more toward the Big Questions, and in my opinion, lost some of the ability to capture the real moments of life and relationships. Surprisingly, the opposite is true on The Calling. The most interesting cuts are not about the heart, but about our country: “Houston” (Hurricane Katrina), “On with the Song” (the Dixie Chicks’ political troubles) and “Why Shouldn’t We” (on believing the nation can do better). The title track has some muscle, too. Maybe MCC’s turning a corner, from a musical Dear Abby to a lyrical editorial page columnist. We’ll see. 03/07 MJVD
Kenley Collins
Belle Black
AMANDA SHAW
GOOD SOUTHERN GIRL
RAY WYLIE HUBBARD
A. ENLIGHTENMENT, B. ENDARKENMENT (HINT: THERE IS NO C)
Jim White
Searching for the Wrong-Eyed Jesus OST
THE WOODSHEDDERS
O Dig
DEADSTRING BROTHERS
CANNERY ROW
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