2006-01-09
Rich soundscapes, almost like a soundtrack to a movie existing only in the composer's head, (or the listener's) populate this record. Steel guitar is out front creating most of the texture, but there are other things going on here, (check out guest list), piano, human voice here and there, percussion, etc. Definite influence is evident of having spent time in Mexico as well as having recorded this there. This will sound more familiar to fans of Lanois' earlier work than to those whose initial contact with him was Shine, from a year or so ago. This isn't the most radio friendly release, but late-nighters and those looking to end a set with something relaxed will find plenty on here. -Eric Green
Camera Obscura
Let's Get Out Of This Country
Slobberbone
Bees And Seas: The Best of Slobberbone
CENTRO-MATIC
Take Pride in Your Long Odds
MY BRIGHTEST DIAMOND
Bring Me the Workhorse
Aimee Mann
The Forgotten Arm
AUTOLUX
Transit Transit
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