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Community Media Center
2009-05-11
In what seems to be intended to be an afterthought following his first album, “Ash Wednesday,” Elvis Perkins, in his newest release, “Elvis Perkins in Dearland,” seems to be continuing his exploration of grief and death. Perkins and his very capable band explore those themes from a variety of directions at a wide variety of speeds and with a lot of different instruments. Occasionally experimental and with performances filled with spontaneity, there is nothing boring about this album. The release has interesting production choices and fine musicianship to its credit, and Perkins’ vocal performances are equally impressive.
The Ditty Bops
The Ditty Bops
BOOKA AND THE FLAMING GECKOS
The Not So Meaningful Songs in the Life of Jeremy Fink
Monsieur Gainsbourg Revisited
Monsieur Gainsbourg Revisited
CARRIE NEWCOMER
The Geography of Light
THE WATSON TWINS
Night Covers
ANNIE GALLUP
Half of my Crime
The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.