HENRY BUTLER, STEVE BERNSTEIN AND THE HOT 9

VIPER'S DRAG

2014-09-28

Henry Butler plays piano, Steven Bernstein plays trumpet and The Hot 9 swings through this collection of early jazz and blues arranged with a modern flourish. The title track is a Fats Waller tune that showcases Butler's legendary prowess on piano and Bernstein's smoking horn tracks that defy you to sit still. That upbeat formula gets repeated on the classic Jelly Roll Morton tunes "Wolverine Blues" and "King Porter Stomp". Morton's other contribution is "Buddy Bolden's Blues" where the band puts the heat down on low simmer and Butler lays down his smooth vocals. Close your eyes and you can see dark night fading into the wee hours of the morning in New Orleans. Open your eyes and they will be full of tears as Butler cries out in anguish on the break up anthem, "I Left My Baby". Another oft covered classic, "Gimmie A Pigfoot", benefits from the mid-tempo, big band treatment afforded to it here. Butler's own "Dixie Walker", "Henry's Boogie" and "Some Iko" stand tall against these classic tunes. Butler, Bernstein and the Hot 9 (which was drawn mostly from the Millennial Territory Orchestra) are at the top of their game here and sound as if they are having a great time while cutting heads with not only great solos but tight as a drum ensemble work. If you even a tiny taste for 1920's era jazz or almost anything coming out of the New Orleans jazz scene this disc is for you. SMITTY

More reviews tagged #Jazz

  • reviewed 11/2016

    Brian Marsella's Imaginarium
    The Clocks Have Gone Mad

  • reviewed 02/2008

    THE MATT SAVAGE TRIO
    Hot Ticket

  • reviewed 09/2011

    JAZZ PISTOLS
    Superstring

  • reviewed 01/2007

    MICROSCOPIC SEPTET
    Surrealistic Swing

  • reviewed 09/2008

    ROBIN MC KELLE
    Modern Antique

  • reviewed 05/2009

    Branford Marsallis
    Metamorphosen

Compiled by the WYCE Journalism Club

The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.