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Community Media Center
2009-05-11
In what seems to be intended to be an afterthought following his first album, “Ash Wednesday,” Elvis Perkins, in his newest release, “Elvis Perkins in Dearland,” seems to be continuing his exploration of grief and death. Perkins and his very capable band explore those themes from a variety of directions at a wide variety of speeds and with a lot of different instruments. Occasionally experimental and with performances filled with spontaneity, there is nothing boring about this album. The release has interesting production choices and fine musicianship to its credit, and Perkins’ vocal performances are equally impressive.
AMBER RUBARTH
A Common Case of Disappearing
Grant Peeples And The Peeples Republik
A Congress of Treasons
Kate Jacobs
You Call That Dark
BEAVER NELSON
Exciting Opportunity
BOCA CHICA
Transform Into Beasts
ROSEANNE CASH
Black Cadillac
The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.