DANIEL LANOIS

Belladonna

2006-01-09

Rich soundscapes, almost like a soundtrack to a movie existing only in the composer's head, (or the listener's) populate this record. Steel guitar is out front creating most of the texture, but there are other things going on here, (check out guest list), piano, human voice here and there, percussion, etc. Definite influence is evident of having spent time in Mexico as well as having recorded this there. This will sound more familiar to fans of Lanois' earlier work than to those whose initial contact with him was Shine, from a year or so ago. This isn't the most radio friendly release, but late-nighters and those looking to end a set with something relaxed will find plenty on here. -Eric Green

More reviews tagged #Rock

  • reviewed 03/2004

    Anne McCue
    Roll

  • reviewed 07/2011

    WASHED OUT
    Within and Without

  • reviewed 02/2004

    Various Artists
    Sigmatropic: 16 Haiku & Other Stories

  • reviewed 12/1969

    Moby
    Last Night

  • reviewed 05/2008

    THE LAST SHADOW PUPPETS
    The Age of the Understatement

  • reviewed 02/2014

    KINS
    Kins

Compiled by the WYCE Journalism Club

The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.