2011-02-28
Over 30 albums into his career, Bruce Cockburn continues to deliver fresh and provocative perspectives on the world and the human heart, spiced with excellent guitar playing and a splash of exotic sounds from instruments such as bells or gongs. This time, Bruce goes mainly acoustic, choosing not to dress up the numbers very much and the result is a slower, more languid record. That's not all bad, and on songs like "Call Me Rose" (about Richard Nixon being reincarnated as a single young woman with kids in the projects), the life-reflective piece "Iris of the World" and "Five Fifty-One" (driving at the break of dawn) are great additions to the Cockburn legacy and the instrumentals ring. I wouldn't rank this as one of Bruce's best, but this guy sets such a high bar that his "average" outings outshine most of his peers. 02/11 MJVD F-Contemporary
Dalton Domino
Corners
Lucy Woodward
Til They Bang On The Door
REUBEN AND THE DARK
FUNERAL SKY
ASLEEP AT THE WHEEL
Reinventing the Wheel
BOOKA AND THE FLAMING GECKOS
The Not So Meaningful Songs in the Life of Jeremy Fink
CAT POWER
The Greatest
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