2006-01-09
Rich soundscapes, almost like a soundtrack to a movie existing only in the composer's head, (or the listener's) populate this record. Steel guitar is out front creating most of the texture, but there are other things going on here, (check out guest list), piano, human voice here and there, percussion, etc. Definite influence is evident of having spent time in Mexico as well as having recorded this there. This will sound more familiar to fans of Lanois' earlier work than to those whose initial contact with him was Shine, from a year or so ago. This isn't the most radio friendly release, but late-nighters and those looking to end a set with something relaxed will find plenty on here. -Eric GreenThe Submarines
Declare A New State
PAL SHAZAR
The Morning After
Jerry Lee Lewis
Last Man Standing
Nick Cave and the Bad Seeds
Abattoir Blues/The Lyre of Orpheus
K. D. LANG
Watershed
Billy Gibbons and The BFG's
Perfectamundo
The opinions expressed in these reviews are those of the individual volunteers that submitted the article and do not necessarily reflect the views of WYCE or GRCMC; nor its staff, donors, or affiliates.