2006-01-09
Rich soundscapes, almost like a soundtrack to a movie existing only in the composer's head, (or the listener's) populate this record. Steel guitar is out front creating most of the texture, but there are other things going on here, (check out guest list), piano, human voice here and there, percussion, etc. Definite influence is evident of having spent time in Mexico as well as having recorded this there. This will sound more familiar to fans of Lanois' earlier work than to those whose initial contact with him was Shine, from a year or so ago. This isn't the most radio friendly release, but late-nighters and those looking to end a set with something relaxed will find plenty on here. -Eric GreenATLANTA RHYTHM SECTION
With All Due Respect
THE HEAVY BLINKERS
The Night And I Are Still So Young
RAUL MALO
After Hours
Sarah Jane Scouten
When the Bloom Falls from The Rose
SLOAN
Never Hear The End Of It
HERMAN DUNE
NEXT YEAR IN ZION
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